• Dance Festival, 2011 - Vezur
  • Morning in a Pine Forest, 1889
  • Russian Belle and Landscape, 1904
  • Winter at the seaside, 2011 - Vezur
  • Orange Trees, 1878
  • A Friend in Need 2, 1903
  • Tram No 10, 2011 - Vezur
  • The Green Dancer, 1880
  • Vase Of Poppies, 1909
  • Lane at the Jardin du Luxembourg, 1886
  • Two Tahitian Women, 1899
  • The Buffalo Trail, 1867
  • Countryside, 2011 - Vezur
  • Riga at Night, 2011 - Vezur
  • Autumn Sun I, 1912
  • Sea coast, 2011 - Vezur
  • The Fog Warning, 1885
  • Buckwheat Harvesters at Pont-Aven, 1888
  • Young Man at His Window, 1875
  • Forest, 2011 - Vezur
  • The Second Youth, 2011 - Vezur
  • The Woman Friends, 1917
  • Dancers V, 1877
  • River Daugava, 2011 - Vezur
  • The Kiss, 1908
  • The Midday Nap, 1894
  • Caricature Self Portrait, 1889
  • Riga in Blue, 2011 - Vezur
  • Seated Nude, 1917
  • Old Town Back In 30's, 2011 - Vezur
  • Stehend Karyatide, 1913
  • Music-I, 1895
  • Standing Girl in a Plaid Garment, 1909
  • Old Town In The Snow, 2011 - Vezur
  • Riga at sunset, 2011 - Vezur
  • Two Little Girls On The Beach, 1895
  • Portraits at the Stock Exchange, 1879
  • Portrait of Felix Feneon, 1890
  • The Sower, 1888
  • Paris Street - Rainy Weather, 1877
  • The Hope II, 1908
  • The Druidess, 1893
  • The Football Players, 1908
  • Wheat Field With Reaper And Sun, 1889
  • Blue cow, 2011 - Vezur
  • An Angel
  • Moonrise over the Sea, 1822
  • Reclining Woman with Green Stockings (aka Adele Harms), 1917
  • Spanish Dancer, 1882
  • Ophelia, 1905

Buckwheat Harvesters at Pont-Aven, 1888

Buckwheat Harvesters at Pont-Aven, 1888

Emile Bernard

Year 1888, Emile Bernard set out for Pont-Aven by foot and saw Gauguin. Their friendship and artistic relationship grew strong quickly. By this time Bernard had developed many theories about his artwork and what he wanted it to be. He stated that he had “a desire to find an art that would be of the most extreme simplicity and that would be accessible to all, so as not to practice its individuality, but collectively…” Gauguin was impressed by Bernard’s ability to verbalize his ideas.

Pont-Aven is a commune of the Finistère département, in Brittany, France, some distance inland from where the River Aven meets the Atlantic Ocean. From the 1850s painters began to frequent Pont-Aven, wanting to spend their summers away from the city, on a low budget in a picturesque place not yet spoilt by tourism.

The painting will be delivered unstreched, rolled in protective & presentable case.