• A Friend in Need, 1903
  • Sunflowers, 1888
  • Columbus Avenue, Rainy Day, 1885
  • Bare Tree behind a Fence, 1912
  • Gloomy Situation, 1933
  • The Boat, 2011 - Vezur
  • Foggy Morning, 2011 - Vezur
  • View Of Venice Fog, 1881
  • Strolling along the Seashore, 1909
  • Reclining Semi-Nude with Red Hat, 1910
  • Girl with a Pearl Earring, 1666
  • Passion for Dance, 2011 - Vezur
  • Spanish Dancer, 1882
  • Lane at the Jardin du Luxembourg, 1886
  • Lying act, 1917
  • Recumbent Nude, 1917
  • Rosina, 1878
  • Cagnes Landscape
  • Lady with fan, 1918
  • Dancers in Blue, 1890
  • Harlequin, 1890
  • Riga at Night, 2011 - Vezur
  • A Carnival Evening, 1886
  • Mona Lisa, 1507
  • Lovers: Man and Woman I, 1914
  • Winter, 2011 - Vezur
  • Yellow Circle, 1926
  • Dandelions, Ventas Rumba, 2011 - Vezur
  • Valdemara street, 2011 - Vezur
  • Old Riga, 2011 - Vezur
  • Idyll in Tahiti, 1901
  • Evening in New York, 1890
  • Self Portrait with Hands on Chest, 1910
  • Poppy field in Giverny, 1885
  • Stork, 2011 - Vezur
  • Sea coast, 2011 - Vezur
  • Manao Tupapau (Spirit of the Dead Watching), 1892
  • Portrait Of Gabrielle Aka Young Girl With Flowers, 1900
  • Breton Landscape - Fields by the Sea (Le Pouldu), 1894
  • The Hope II, 1908
  • River Daugava, 2011 - Vezur
  • Zwei Akte, 1890
  • Taking the Count, 1896
  • Embrace aka Lovers II, 1917
  • Midsummer Night, 1876
  • Blue cow, 2011 - Vezur
  • Standing Girl in a Plaid Garment, 1909
  • The Sky, 2011 - Vezur
  • The Druidess, 1893
  • The Banks of the River at Veneux, 1881

Four Trees, 1917

Four Trees, 1917

Egon Schiele

Best known for his depictions of the human form, Egon Schiele was also interested in portraying the beauty and structure of the world he inhabited. Schiele's landscapes represent an important facet of his career and are a valuable contribution to the school of European nature painting. This painting shows an unspectacular part of nature. Four chestnut trees are shown in strict geometric order and regularity. As opposed to realistic description of botanic details the arrangement of the rest of the picture results into a very scarce description of landscape. As in classic landscape painting the horizontal line of the picture can be found in the centre whereby we are given an illusion of spaciousness. Vertical to the dimension of depth there are a few levels that are parallel to the picture - as in a scenic view. On one of these levels we see the line of trees.Through this, a sharp contrast between area and space is formed.  The depicted landscape becomes a part of the artist´s inner life.

The painting will be delivered unstreched, rolled in protective & presentable case.