• The Haymaker, 1886
  • Vase Of Poppies, 1909
  • Sea coast, 2011 - Vezur
  • Study for The Spanish Dance, 1882
  • Impression, Sunrise, 1872
  • The Bather, 1879
  • Seacoast at Engure, 2011 - Vezur
  • A Carnival Evening, 1886
  • Portrait of Ida Rubenstein, 1910
  • Adele Bloch Bauer I, 1907
  • River bank, 2011 - Vezur
  • Portrait Of The Painter Max Oppenheimer, 1910
  • Richard Gallo and His Dog, at Petit Gennevilliers, 1884
  • Conversion, 1912
  • Poppy field, 2011 - Vezur
  • The Veteran in a New Field, 1865
  • Portrait of a Man, 1923
  • Café Terrace at Night, 1888
  • The Thames below Westminster, 1871
  • Cagnes Landscape
  • Self Portrait with Hands on Chest, 1910
  • Golden autumn, 2011 - Vezur
  • Two Swans, 2011 - Vezur
  • Summer Evening, 1886
  • Nude Egyptian Girl, 1891
  • Passion for Dance, 2011 - Vezur
  • Walk Along The Sea, 2011 - Vezur
  • Idyll in Tahiti, 1901
  • Winter at the seaside, 2011 - Vezur
  • An Angel
  • Cherubini, 1514
  • View Of Venice Fog, 1881
  • Riga Springtime, 2011 - Vezur
  • Mona Lisa, 1507
  • Dancers in Blue, 1890
  • The Banks of the River at Veneux, 1881
  • Deauville, The Basin, 1892
  • The Fog Warning, 1885
  • The Sleeping Gypsy, 1897
  • Seated Nude, 1917
  • The Green Dancer, 1880
  • The Second Youth, 2011 - Vezur
  • Three Sisters at The Three Brothers, 2011 - Vezur
  • Goldau, 1843
  • Columbus Avenue, Rainy Day, 1885
  • Foggy Morning, 2011 - Vezur
  • Boat in the Moonlight
  • Moonlight On The Loire Barbizon landscape
  • The Man on the Balcony, 1880
  • Blue Dancers, 1899

Four Trees, 1917

Four Trees, 1917

Egon Schiele

Best known for his depictions of the human form, Egon Schiele was also interested in portraying the beauty and structure of the world he inhabited. Schiele's landscapes represent an important facet of his career and are a valuable contribution to the school of European nature painting. This painting shows an unspectacular part of nature. Four chestnut trees are shown in strict geometric order and regularity. As opposed to realistic description of botanic details the arrangement of the rest of the picture results into a very scarce description of landscape. As in classic landscape painting the horizontal line of the picture can be found in the centre whereby we are given an illusion of spaciousness. Vertical to the dimension of depth there are a few levels that are parallel to the picture - as in a scenic view. On one of these levels we see the line of trees.Through this, a sharp contrast between area and space is formed.  The depicted landscape becomes a part of the artist´s inner life.

The painting will be delivered unstreched, rolled in protective & presentable case.