• The Veteran in a New Field, 1865
  • Ligo Evening, 2011 - Vezur
  • Harvest Time, 1878
  • The Woman Friends, 1917
  • The Haymaker, 1886
  • Man with a Pipe (aka The Man from Nice), 1918
  • Saint John, 1892
  • Cherubini, 1514
  • Seacoast at Kurzeme, 2011 - Vezur
  • Valdemara street, 2011 - Vezur
  • The Fog Warning, 1885
  • River bank, 2011 - Vezur
  • Winter, 2011 - Vezur
  • When The Grass Was Greener, 2011 - Vezur
  • Lady with fan, 1918
  • Stehend Karyatide, 1913
  • Jurmala (Sea Pearl), 2011 - Vezur
  • Ophelia, 1905
  • Haymaking, 2011 - Vezur
  • Three Sisters at The Three Brothers, 2011 - Vezur
  • Head Of A Woman With A Hat, 1907
  • Moonlight, 1874
  • Dome Square, 2011 - Vezur
  • Midsummer Festival, 2011 - Vezur
  • Landscape at Saint-Rémy, 1889
  • Four Bathers, 1905
  • The Sky, 2011 - Vezur
  • The Bather, 1879
  • Russian Belle and Landscape, 1904
  • Big Red Buste, 1913
  • Nabis Landscape, 1890
  • Harlequin, 1890
  • Zwei Akte, 1890
  • Old Town Charm, 2011 - Vezur
  • Nude Egyptian Girl, 1891
  • Goldau, 1843
  • The Kiss, 1908
  • The Football Players, 1908
  • Riga in Blue, 2011 - Vezur
  • Walk Along The Sea, 2011 - Vezur
  • The Magpie, 1869
  • Lady of the Flowers, 1895
  • Anemones, 1909
  • Foggy Morning, 2011 - Vezur
  • Dancers V, 1877
  • The Red Vineyard, 1888
  • The Large Bathers, 1906
  • The Man on the Balcony, 1880
  • Dance Festival, 2011 - Vezur
  • The Thames below Westminster, 1871

Interior, Woman at the Window, 1880

Interior, Woman at the Window, 1880

Gustave Caillebotte

In this double portrait by Gustave Caillebotte, he depicts couple, husband has been identified as Richard Gallo.There is speculation about the female identity, perhaps it is Caillebotte's mistress, his friend, or the young lady that he lived with in Petit Gennevilliers.
In this painting, the viewer sees only the profile of Richard Gallo. The woman is in contre-iour as she looks out of the window. The artistic theme of a figure, with its back to the viewer, looking out a window had been utilized since the seventeenth-century Dutch paintings and was often seen in nineteenth-century works. However, Caillebotte recast the importance of a single figure at a window by including another figure, Richard Gallo.
This painting reflected the angst felt by many in the nineteenth-century intellectual and artistic communities in Paris, as they sought to understand the implications of the rapid transformation that their city was undergoing, both in its cityscape and, more importantly, in its social and commercial structure. In Interior, Caillebotte captured not only the realism of the relationship between his two leading characters; he also introduced the formal device of the window and the balcony to deepen the meaning of his work as it reflected the new Paris. It is a metaphor that frames the new vision of the Haussmannized districts of Paris. Commonly, this nineteenth-century subject included a silhouetted, outward looking, urban spectators who are bathed in exterior light as they look precipitously down or out of the window.
 

The painting will be delivered unstreched, rolled in protective & presentable case.