• Impression, Sunrise, 1872
  • Dome Square, 2011 - Vezur
  • Poppy field in Giverny, 1885
  • Contrasting Sounds, 1924
  • Conversion, 1912
  • Le Pêcheur (The Fisherman), 1909
  • Saint John, 1892
  • Paris Street - Rainy Weather, 1877
  • Orange Trees, 1878
  • Sun Walk Over The Bridge, 2011 - Vezur
  • Anna Pavlova in the Ballet Sylphyde, 1909
  • Horses, 2011 - Vezur
  • Music-I, 1895
  • Spanish Dancer, 1882
  • The Last Supper, 1498
  • Study of a Head, 1913
  • Rosina, 1878
  • Woman with Black Hat, 1909
  • Independence Day, 2011 - Vezur
  • Moonrise over the Sea, 1822
  • Seacoast at Engure, 2011 - Vezur
  • Nabis Landscape, 1890
  • Golden autumn, 2011 - Vezur
  • Morning in a Pine Forest, 1889
  • The End of Summer, 2011 -  Vezur
  • Portrait of Ida Rubenstein, 1910
  • Breton Landscape - Fields by the Sea (Le Pouldu), 1894
  • Haymaking, 2011 - Vezur
  • A Gust of Wind, 1883
  • Flying people, 2011 - Vezur
  • Idyll in Tahiti, 1901
  • Opera House, 2011 - Vezur
  • Daisy fields, 2011 - Vezur
  • Man with a Pipe (aka The Man from Nice), 1918
  • Caricature Self Portrait, 1889
  • When The Grass Was Greener, 2011 - Vezur
  • Marine bleue, 1893
  • Bare Tree behind a Fence, 1912
  • Big Red Buste, 1913
  • The Veteran in a New Field, 1865
  • Buckwheat Harvesters at Pont-Aven, 1888
  • Mona Lisa, 1507
  • Evening in New York, 1890
  • Dead Mother, 1910
  • Two Little Girls On The Beach, 1895
  • Chimney Sweeper, 2011 - Vezur
  • Wheat Field With Reaper And Sun, 1889
  • The Star, 1878
  • Passion for Dance, 2011 - Vezur
  • Riegert aka Laima Clock, 2011 - Vezur

The Starry Night, 1889

The Starry Night, 1889

Vincent van Gogh

„The Starry Night” depicts the view outside Van Gogh’s sanitorium room window at Saint-Rémy-de-Provence (located in southern France) at night, although it was painted from memory during the day. It was not Van Gogh's first depiction of a night sky. In Arles, he had been proud of his painting of the stars and the reflection of the lights of the town in the River Rhône, one of the first results of a plan intimated to Emile Bernard in April 1888. He wanted to paint a starry night as an example of working from the imagination, which could add to the value of a painting: „we may succeed in creating a more exciting and comforting nature than we can discern with a single glimpse of reality”, he wrote. In a letter to Theo of the same date, Vincent was more explicit about the motif: „a starry night with cypresses or possibly above a field of ripe wheat”. With his „Starry Night”, painted in Saint-Rémy, he fulfilled that promise and did so at a time when he was more determined than ever to prove himself the equal of his fellow artists.

The painting will be delivered unstreched, rolled in protective & presentable case.