• Study for The Spanish Dance, 1882
  • The Kiss, 1908
  • River bank, 2011 - Vezur
  • Spanish Dancer, 1882
  • Reclining Woman with Green Stockings (aka Adele Harms), 1917
  • Idyll in Tahiti, 1901
  • Madame Pompador, 1915
  • Russian Belle and Landscape, 1904
  • Woman with Black Hat, 1909
  • Moonrise over the Sea, 1822
  • Le Pêcheur (The Fisherman), 1909
  • Yellow Circle, 1926
  • Four Bathers, 1905
  • Autumn Sun I, 1912
  • Opera House, 2011 - Vezur
  • Beatrice, 1897
  • Flying people, 2011 - Vezur
  • House of Blackheads, 2011 - Vezur
  • Lady with fan, 1918
  • Girl with a Pearl Earring, 1666
  • Dancers in Riga Heart, 2011 - Vezur
  • Three Sisters at The Three Brothers, 2011 - Vezur
  • Evening on Volga, 1888
  • When The Grass Was Greener, 2011 - Vezur
  • The Thames below Westminster, 1871
  • Almond Branches in Bloom, San Remy, 1890
  • Two Little Girls On The Beach, 1895
  • Tram No 10, 2011 - Vezur
  • Cherubini, 1514
  • The Star, 1878
  • Bare Tree behind a Fence, 1912
  • Buckwheat Harvesters at Pont-Aven, 1888
  • Poppies at Argenteuil, 1873
  • Evening in New York, 1890
  • Riga in Blue, 2011 - Vezur
  • Two Tahitian Women, 1899
  • Harvest Time, 1878
  • Nabis Landscape, 1890
  • Winter, 2011 - Vezur
  • Forest, 2011 - Vezur
  • Wanderer above the Sea of Fog, 1818
  • The Green Dancer, 1880
  • Moonlight, 1874
  • Zwei Akte, 1890
  • Madame Camus with a Fan, 1870
  • The Sower, 1888
  • Goldau, 1843
  • La Sybille, 1891
  • Dancers, 2011 - Vezur
  • Poppies, 1886

Study of a Figure Outdoors (Facing Right), 1886

Study of a Figure Outdoors (Facing Right), 1886

Claude Monet

This painting depicts Suzanne Hoschedé (1864–1899), she was the eldest daughter of Alice Hoschedé and Ernest Hoschedé, the stepdaughter and favorite model of Monet, and wife of American impressionist painter Theodore Earl Butler.

In 1878 Monet and his family temporarily moved into the home of Ernest Hoschedé, (1837–1891), a wealthy department store owner and patron of the arts. Both families then shared a house in Vétheuil during the summer. After her husband Ernest Hoschedé became bankrupt, and left in 1878 for Belgium, and after the death of Monet's wife Camille in September 1879, Alice Hoschedé (1844–1911), helped Monet to raise his two sons, Jean and Michel, by taking them to Paris to live alongside her own six children. In the spring of 1880, Alice Hoschedé and all the children left Paris and rejoined Monet, still living in the house in Vétheuil. In 1881, all of them moved to Poissy, which Monet hated. In April 1883, looking out the window of the little train between Vernon and Gasny, he discovered Giverny. They next moved to Vernon, then to a house in Giverny, Eure, in Upper Normandy, where he planted a large garden and where he painted for much of the rest of his life. Following the death of her estranged husband in 1891, Alice Hoschedé married Claude Monet in 1892. The witnesses were the painters Gustave Caillebotte and Paul César Helleu. Despite Claude Monet’s initial objections to his stepdaughter Suzanne Hoschedé's marriage to American painter Theodore Earl Butler, he relented after discovering the wealth of Butler’s family. The marriage occurred a few days after Monet’s wedding.

The painting will be delivered unstreched, rolled in protective & presentable case.